Fujifilm Fujinon XF 80mm F2.8 R LM OIS WR Macro Review - Review 2022

The Fujifilm Fujinon XF 80mm F2.eight R LM OIS WR Macro ($1,199) isn't just a photographic tool. It's a argument from Fuji that shows just how skilful its lens design can be, and how much image quality yous tin squeeze out of the APS-C X system, assuming you don't mind spending the money and carrying a hefty chunk of glass. The macro lens features life-size magnification, strong optical stabilization, and an all-weather design. At close to $1,200 it's not a budget choice, and its also quite heavy. Despite the cost and a few operational drawbacks, the prototype quality it delivers tin't be argued with, and it earns Editors' Choice marks.

Blueprint

I was surprised to pick up the XF 80mm ($1,199.00 at Amazon) for the starting time time and feel its weight. It'southward a really big lens, at five.one past iii.2 inches (Hard disk) and i.vii pounds, especially when y'all consider that it's not designed for a full-frame organisation. Attaching the included lens hood extends the top by 3 inches. Fujifilm'due south 10 mirrorless system uses the APS-C sensor size. The size is due to a rather complex optical design that incorporates 16 elements, including a floating focus group. The internal glass, plus sturdy metal structure contribute to the weight. Given the majority, I wish Fujifilm had incorporated a tripod collar into the lens design.

The floating focus elements as well give the lens a rather disconcerting feature. When your camera is powered down or when the lens is detached, moving it creates an audible rattle and noticeable vibration. The floating elements, normally held in identify by electromagnets, wobble when they aren't powered.

It's not the only racket the lens makes either—y'all tin hear the optical stabilization organization doing its work. Considering of this, the 80mm Macro isn't the best choice for video, bold you're using in-photographic camera sound for a projection. The stabilization system is very effective, delivering up to five stops of compensation. That'due south very important for handheld macro work, every bit the high magnification means you demand to use a much shorter shutter speed than normal to get an prototype that's completely free of milk shake-induced motility blur.

The lens is available in blackness only. It'due south sealed against dust and wet, so you can use it without worry in rainy or dusty conditions when paired with a similarly sealed body—all of Fujifilm's college end models incorporate weather sealing. Additionally, the front lens element is coated with fluorine. The fabric resists water and grease, and so raindrops will just glide off and you tin hands remove a smudge with a microfiber textile.

I used the lens primarily with the X-Pro2, and often wished I was using information technology with the X-T2 or X-H1 instead, as they offer deeper handgrips to better pair with bulky lenses. I wouldn't call up to pair it with an entry-level model like the svelte X-A5, only photographers buying the budget-minded X-A5 are non mostly buying lenses at this toll indicate.

Like well-nigh Fuji 10 lenses, in that location is a physical aperture control ring. It tin can be set manually from f/2.8 through f/22 in third-terminate increments. At that place is an A (automatic) position to requite control of the f-stop to the camera. There is likewise a toggle switch to turn the stabilization organization on and off, and another switch to limit the autofocus range. Y'all tin have the lens cover its full range, close focus simply (0.25 to 0.five-meter), or distant focus only (0.v-meter to infinity).

Manual focus is electronic, which is the story with most mirrorless lenses, only a bit of a downer for macro work. When you lot turn the focus ring it activates a motor to motion the focusing elements. Y'all don't get the tactile feedback that a mechanical lens provides, nor do you accept whatever visual cues on the lens itself to let you know what your current focus altitude or magnification is. The torso does work to assist with manual focus—adjustments are finer the closer you focus, just like a mechanical lens. But I practice miss the more than real feel of a mechanical focus arrangement.

The flip side is that autofocus is very fast. A linear bulldoze motor moves the focusing elements with great speed. When working at a distance—using the lens for portraiture, for example—I constitute it to be nearly instant in acquisition. Macro focus, even with the limiter, is more demanding, and if you're working with a busy scene with a lot of elements the lens tin chase a bit. But no more than about autofocus macro lenses.

Focus is bachelor to 9.eight inches (0.25-meter). At its closest focus distance the lens captures subjects at one:1 magnification. At 1:one the image projected onto the camera sensor matches the size of the real-life subject.

The XF 80mm is an APS-C lens, so its field of view is closer to that of 120mm on a full-frame camera. Considering of the longer focal length, you can shoot at one:one while keeping a decent distance between the front chemical element and the subject. If you want more than working distance yous can add a teleconverter. The lens is compatible with both the XF 1.4x and XF 2x converters, which give information technology a field of view of 170mm and 240mm, respectively. Full macro adequacy is maintained, and you tin can all the same shoot at distance to bring far away subjects into tighter view. Using a teleconverter does limit the maximum aperture—with the one.4x attached the lens tops out at f/four and it drops to f/5.six with the 2x.

Paradigm Quality

I tested the XF 80mm along with the 24MP Ten-Pro2. Imatest shows that information technology's incredibly sharp. At f/2.8 it scores 3,037 lines on our standard center-weighted sharpness examination, with edges that are just as sharp as the centre. Resolution holds steady at f/four and f/5.half-dozen.

At that place is a pocket-sized crash-land at f/8, to iii,133 lines, and we see 3,152 lines at f/eleven, its sharpest setting. Information technology'southward not a big variation from f/2.8, so you tin use the aperture to adjust depth of field without worrying nigh losing sharpness at wider settings.

At that place is a drib at f/sixteen, to 2,755 lines, which is still very good. At the minimum f/22 setting resolution drops to 2,362 lines. Information technology's less resolution than shooting at wider settings, merely I'd feel comfortable using the lens stopped down all the way if a shot called for it. Depth of field is very shallow when working at high magnification—you can blur out backgrounds fifty-fifty when working at the smallest settings.

There'south absolutely no subject distortion, and then you can safely use the lens for critical copy work or architectural photography. Imatest does show some corner dimness at f/2.8—the corners are about 1.3 stops (-i.3EV) dimmer than the middle. Merely it dips to -0.8EV at f/4, which we've found to be negligible for practical photography.

Conclusions

The Fujinon XF 80mm F2.viii R LM OIS WR Macro gives Fujifilm X shooters a top-notch macro lens. It captures extremely well-baked images, regardless of whether you're working upwards close or taking advantages of its telephoto design to capture more than distant subjects, and yous can add a teleconverter to extends its reach. Optical stabilization makes handheld macro shooting easier, and you can work in all kinds of weather thanks to all-encompassing internal seals.

We're naming it an Editors' Option, the offset macro lens for the X system to earn the distinction. It'due south non a perfect lens for anybody—manual focus lovers will experience disappointed by the electronic focus system, and the size of the lens nearly screams for an integrated tripod collar. Video enthusiasts should think almost some other lens due to the audio made by the stabilization arrangement. But a few drawbacks don't stop the states from recommending the lens to 10 system owners shopping for a top-notch macro.

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Source: https://sea.pcmag.com/cameras/20094/fujifilm-fujinon-xf-80mm-f28-r-lm-ois-wr-macro-review

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